I moderated a panel at ICFA (which I had proposed) entitled: Remix Culture: SF, Fantasy, and Books in Conversation and I would like to write a coherent blog post about it, but that’s difficult because while moderating I didn’t get to take good notes and also because the smart, deep-thinking panelists had so many great things to say I can’t recreate more than the tiniest fraction of it.

It being the age of remix culture and postmodernism, however, perhaps a collage of intriguing thoughts and questions from the discussion is apropos.

My opening salvo: “A hallmark of literary fiction is that it contains references and allusions to books that came before from the Bible to Shakespeare to the canon. In science fiction and fantasy we engage with genre tropes (sf: space travel, first contact, artificial intelligence, etc/fantasy: prophecy, kingship, elfland, etc) that pretty much require any book in a subgenre or using a trope to be in conversation with books that share that trope.”

The fantastic panelists:

Max Gladstone: author of fantasy novels known as the Craft Sequence, described as “tales of wizards in pinstriped suits and gods with shareholders’ committees.” Also a copyfighter.

Therese Anne Fowler: author of Z: A Novel of Zelda Fitzgerald and currently working on a novel about the Vanderbilts

Sam J. Miller: whose short stories have been in a lot of magazines lately (and shortlisted for some awards, I believe?) and who is working on a novel for HarperCollins right now called The Art of Starving, about a gay boy whose eating disorder gives him superpowers

Julia Rios: a former editor of Strange Horizons, now editing for Uncanny Magazine, also a writer and whom I also know as an incisive fantasy and sf cultural commentator from her work on the podcast Skiffy and Fanty and other panels she’s been on

And me (Cecilia).

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Mirrored from blog.ceciliatan.com.

I’m at ICFA (Int’l Conference on the Fantastic in the Arts) which is a unique academic conference where they not only talk about sf/fantasy/horror literature but invite lots of authors and editors to come be guests at the conference (including me). One of this year’s guests of honor is Holly Black, who wrote one of my favorite novels ever (Tithe) and is an all-around awesome writer I’ve known for years.

I moderated a panel I’ll blog about later and then had booksigning, so I missed the first half of Jedediah Berry interviewing Holly Black, but I at least did catch the latter half, and here’s a much much edited partial transcript of the conversation:

They were in the middle of talking about Coldest Girl in Coldtown when I came in:

Holly Black: I ask myself: Would I watch a reality show set in a walled city where there were vampires and sometimes they killed someone? I am the target market for that show! How would we react to vampires in our world? Look at how things are treated: if someone was biting someone in the back there I would probably whip out my phone. Would I put it on Instagram? Probably. I came out of that understanding that I may be a sociopath! (audience laughter) And that’s a lot of where Coldtown came from.

Jed: So back after there had been a huge wave of vampire fiction, some of it very sparkly, after the vampire wave had crested…

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Mirrored from blog.ceciliatan.com.

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