ceciliatan

I moderated a panel at ICFA (which I had proposed) entitled: Remix Culture: SF, Fantasy, and Books in Conversation and I would like to write a coherent blog post about it, but that’s difficult because while moderating I didn’t get to take good notes and also because the smart, deep-thinking panelists had so many great things to say I can’t recreate more than the tiniest fraction of it.

It being the age of remix culture and postmodernism, however, perhaps a collage of intriguing thoughts and questions from the discussion is apropos.

My opening salvo: “A hallmark of literary fiction is that it contains references and allusions to books that came before from the Bible to Shakespeare to the canon. In science fiction and fantasy we engage with genre tropes (sf: space travel, first contact, artificial intelligence, etc/fantasy: prophecy, kingship, elfland, etc) that pretty much require any book in a subgenre or using a trope to be in conversation with books that share that trope.”

The fantastic panelists:

Max Gladstone: author of fantasy novels known as the Craft Sequence, described as “tales of wizards in pinstriped suits and gods with shareholders’ committees.” Also a copyfighter.

Therese Anne Fowler: author of Z: A Novel of Zelda Fitzgerald and currently working on a novel about the Vanderbilts

Sam J. Miller: whose short stories have been in a lot of magazines lately (and shortlisted for some awards, I believe?) and who is working on a novel for HarperCollins right now called The Art of Starving, about a gay boy whose eating disorder gives him superpowers

Julia Rios: a former editor of Strange Horizons, now editing for Uncanny Magazine, also a writer and whom I also know as an incisive fantasy and sf cultural commentator from her work on the podcast Skiffy and Fanty and other panels she’s been on

And me (Cecilia).

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Mirrored from blog.ceciliatan.com.

I just spent the past five days soaking up the Florida sun soaking up the intellectual stimulation of the International Conference on the Fantastic in the Arts (aka as ICFA, pronounced “ick-fah”). This is an academic conference that also invites writers and editors in the field of science fiction, fantasy, and horror to be in the mix. It’s a–dare I say–fantastic opportunity to get away from the frozen snowy north be deeply intellectually stimulated. The research papers being read range from close textual readings of fantastic literature to sociopolitical analyses of films, to Marxist deconstruction of video game music, to fan studies and transformative works.

With such a panoply of choices before me, and no particular agenda, I sampled from many different tracks and topics, and I find myself unable to write one coherent narrative recap. Instead, I’ll resort to that tried and true staple of our age, the Top Ten List.

I learned:
1. Elves Must Die
2. Sexism is Lazy
3. Magic is Privilege
4. Cyberpunk is Dated
5. Shopping is Work
6. Personal Growth is not Activism
7. Sidekicks are Oppression
8. Anthropomorphising is Oppression
9. Improbable Sexuality is Ironic
10. God is a Pantser

Details under the cut:

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Mirrored from blog.ceciliatan.com.

I am at ICFA (Int’t Conference on the Fantastic in the Arts), a longstanding conference of academic research and critique in science fiction and fantasy. I’ve wanted to come to this conference for a long time, ever since Bernadette Bosky talked my ear off about it around 1993. (I was in grad school myself at the time, getting a masters in writing and publishing, and Circlet Press was about a year old at that point.)

Here we are, 20+ years later, and I’m finally here. Why this time? I actually got invited as an author guest. So here I am. I’m reading on Friday (tomorrow) at 4:15. I still haven’t figured out what to read, but I might read an abridged version of a steampunk erotic story that has never been published. The theme of the conference is Fantastic Empires and, well, of course I want to read a story that critiques the British Empire and the patriarchy.

The panel of papers I attended this morning was on creepypasta and the Welcome to Night Vale podcast. I am only passingly familiar with either, which made it fascinating, as both Night Vale and the world of creepypasta are both media that can be enjoyed in passing.

Creepypasta, if you’re not familiar with it, is the art form of bite-size horror stories (kind of like urban legends) in text or maybe an image that can easily be copy-pasted and shared on the Internet. Line Henriksen from Linkoping University presented a very coherent paper that drew together concepts from Derrida and Donna Haraway, and I can’t even begin to summarize it, nor should I since you really should be here yourself if you want to get the good stuff… but the central idea I’m taking away from it, given that I’m a non-academic and I’m here as a writer who goes to see these kinds of papers because I love to have my intellect stimulated, is this:

The idea of a detached observer who can glean any kind of “objective” truth by observing from a distance without contaminating what is being studied or being contaminated by what is being studied is a false contruct and one based on the Western patriarchal idea that the ideal observer is a white able-bodied property-owning male. Whereas both feminist critical theory and postcolonial critical theory posit that it’s in fact impossible to study a subject without engaging with it and it’s impossible to understand a subject without becoming a part of it and it becoming a part of you.

This relates to creepypasta and to Night Vale in a couple of ways, including the fact that the audience for both are not mere passive receivers of the media but are necessarily a kind of participant in the experience. When you hear the Night Vale podcast, which is done as if it is a public radio program in Night Vale itself being broadcast to its citizens, you as a listener become one of those citizens. When you read a piece of creepypasta and pass it on (or don’t) – some of these take the form of cursed chain letters that you can only lift the curse by passing it on to others – you are part of the story and the life of the meme.

More later if I have time?

Mirrored from blog.ceciliatan.com.